Artspace Projects logo  

This newsletter is a new publication of Artspace Projects, Inc., designed to keep you up to date on the many ways Artspace is leading arts-driven community transformation.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

September 2011

  

Newsletter

 ___________________________________________
Savion Glover photo

Photo: 2001 © Michael Daniel    

  

From a vacant theater to
roaring applause 

 

September 9th on Hennepin Avenue in downtown Minneapolis, VIPs from the Twin Cities and the nation gathered to celebrate dance at the Grand Opening of The Cowles Center for Dance and the Performing Arts.  

 

Read more... _________________________________________   

Space Matters II Cover
 

Supporting artists, transforming

communities - The impact of 'creative placemaking'    

 

As the nation's leader in arts-driven community transformation, Artspace Projects has been working to capture data that can be used to define trends and provide metrics for the development of vibrant, stabilizing, affordable space for the arts, using five Artspace projects from different regions in the U.S.  

 

Read more...

 ________________________________________ 

Karcher Artspace in WaukeganCommunity rallies to   

revitalize downtown

Waukegan, Ill.  

 

Door-to-door campaigns raising thousands of dollars from citizens committed to revitalizing the city in which they live - Biweekly contributions from one City Councilmember's paycheck for the past few months - Strategizing sessions and phone calls and creative campaigns led by volunteers. These are a few initiatives of the people of Waukegan, Ill., ...   

 
Read more...

 __________________________________________ 

      ArtPlace Photo
Artspace receives
major support for 
'creative placemaking' 

 

Artspace Projects has received a pair of major grants to support its new creative placemaking projects in New York and Honolulu, from ArtPlace, a new national funder.

 

Read more...  

___________________________________ 

Over thirty years, Artspace has brought its hard-earned expertise to more than 200 cultural facility planning efforts resulting in the creation of more than 50 affordable arts facilities from coast to coast. Of these projects, 30 arts facilities have been developed and are owned and operated by Artspace, representing a unique, nearly half-billion dollar investment in America's arts infrastructure. Artspace projects operate in the black, do not require on-going fundraising, catalyze positive development and have proven sustainable over time.

Savion Glover photo

Savion Glover performs COWLES IMPROVOGRAPHY
at the gala opening of The Cowles Center for
Dance & the Performing Arts on
September 9 & 10, 2011. 2011 © Michal Daniel.

CowlesOpening  
From a vacant theater to roaring applause

 

September 9th on Hennepin Avenue in downtown Minneapolis, VIPs from the Twin Cities and the nation gathered to celebrate dance at the Grand Opening of The Cowles Center for Dance and the Performing Arts.  

 

The opening was the culmination of more than a decade of creative and tenacious effort led by Artspace, to establish a state-of-the-art venue for dance performance and education.   

 

Rocco Landesman, president of the National Endowment for the Arts (NEA), welcomed the first throng of dancers and dance enthusiasts to the grand opening, paying tribute to Artspace president Kelley Lindquist for his vision and for Artspace's national leadership in arts-driven community transformation. "Kelley is a pioneer, and he was one of the first people I contacted when I became chairman of the NEA," Landesman said. "Together we are working on igniting a national movement around 'creative placemaking' - helping mayors and communities recognize how the arts can shape the social, physical, and economic characters of places."   

 

To that end, The Cowles Center will not only be the flagship for dance in Minnesota but will also serve as a catalyst for revitalizing Hennepin Avenue.    

 

The center is comprised of three buildings: two historic structures, flanking a gleaming new centerpiece. To a person standing across the street, the building on the left is Hennepin Center for the Arts, a massive eight-story structure built in 1888 as a Masonic temple, converted into an arts facility in 1979, and now home to 20 arts organizations, including several of the state's finest dance troupes and two of the Twin Cities' leading dance schools.   

 

On the right is The Goodale Theater, a 500-seat jewel box that houses a state-of-the-art performance venue within the frame of the historic Shubert Theatre, a 1910 playhouse whose glazed terra cotta façade has been meticulously restored. The theater is equipped for full-scale dance performances with 168 light sets and an orchestra pit with a capacity of 42 musicians.

And in the center, linking the other two in a light-filled embrace, is the new U.S. Bank Atrium: the main entrance, a grand room of sweeping angles and an elegant abstract sculpture made of triangles, rectangles, and lines - the same symbols used by Labanotation, the written language of dance. Look up and you'll see the Target Education Studio, home of The Cowles Center's acclaimed Distance Learning Program.   

 

Within the walls of this newly opened grand facility on the warm September evening, the dance community and its supporters ushered in a new era for dance in the Twin Cities. After the dinner plates were cleared and guests paraded from the Graves Hotel to the Cowles Center amid drum corps and dancers, Sage Cowles ceremoniously cut the ribbon as onlookers applauded and cheered.    

 

Then guests took their seats; the house lights dimmed; the grand drape opened; and dancers spoke to the audience through the magic of their movements.

 

 Learn more at The Cowles Center website  

 _______________________________________  

Space Matters II Cover

How Art Spaces Matter II is the second study commissioned by Artspace, conducted by Metris Arts Consulting, and funded by LINC (Leveraging Investments in Creativity)
and the Bush Foundation.

SpaceMatters-II 

Supporting artists, transforming communities - The impact of 'creative placemaking' 

 

As the nation's leader in arts-driven community

transformation, Artspace Projects has been working to capture data that can be used to define trends and provide metrics for the development of vibrant, stabilizing, affordable space for the arts, using five Artspace projects from different regions in the U.S.

 

These reports are, to the best of our knowledge, the most comprehensive study of the community-transforming impact of projects that create affordable space for the arts. The reports identify key elements of successful projects, and help practitioners and policymakers understand how creative placemaking projects benefit artists and arts organizations, and how they help create more livable communities.    

   

Metris' findings are based on more than 90 interviews with artists, business owners, government officials, and arts organization representatives, complemented by arts tenant surveys; analysis of changes to artist household income and socio-economic data (census, American Community Survey, County and Zip Code Business Patterns, etc.); and hedonic analysis of property value impacts.

 

This report finds that our projects benefit artists by:

  1. Providing space that meets residential and professional needs at affordable rates;
  2. Catalyzing an arts community to be more than a sum of its parts;
  3. Increasing artistic production; and
  4. Enhancing the professional reputations of individual artists, and in some cases their income generated through art activity.

In turn, our projects benefit communities by:

  1. Animating deteriorated historic structures and/or underutilized spaces;
  2. Bringing vacant and/or underutilized spaces back on the tax rolls and boosting area property values;
  3. Fostering the safety and livability of neighborhoods without evidence of gentrification-led displacement;
  4. Anchoring arts districts and expanding public access to the arts;
  5. Attracting additional artists, art businesses, organizations and supporting non-arts businesses to the area.

More information:  

Press release >>   

Download study summary >>

Download the full study >>  

 ________________________________________    


Karcher Artspace in Waukegan

Like many Artspace properties, the Karcher Hotel is listed on the National Register of Historic Places.

 

Waukegan

Community rallies to revitalize  

downtown Waukegan, Ill.

 

Door-to-door campaigns raising thousands of dollars from citizens committed to revitalizing the city in which they live - Biweekly contributions from one City Councilmember's paycheck for the past few months - Strategizing sessions and phone calls and creative campaigns led by volunteers. These are a few initiatives of the people of Waukegan, Ill., who are determined to make Karcher Artspace Lofts into a reality and jumpstart the recreation of a sense of hope and economic vitality for their city. The planning and fundraising is almost over. But the City's revitalization is just beginning.

 

In the heart of the once-vibrant community of Waukegan, Ill., overlooking Lake Michigan, sits the burned out shell of the Karcher Hotel. The hotel that has been vacant since a Christmas Day fire in 1984 is the site of what will be Karcher Artspace Lofts, a mixed-use arts facility that will be the catalyst for further community growth.     

 

Waukegan citizens brandish an intense sense of civic pride - and for good reason. Though challenged, the City of Waukegan maintains several undeniable assets. It's located directly next to the lake; it's equidistant between Chicago and Milwaukee; it has a train running to Chicago; and its people are committed to revitalizing the City's downtown.

 

The first contact with Artspace came in 2006 from Teddy Anderson, who at the time was the Executive Director of Waukegan Main Street, a nonprofit community organization sponsored by the National Trust for Historic Preservation, which helps cities and towns throughout the country focus on revitalization of their downtown neighborhoods.   

   

After five years of tireless community efforts, led by Jane Waller and a large group of engaged volunteers, the project is close to being ready for construction. The building's interior will be completely renovated to create 36 units of affordable live/work space for artists and their families plus 2,700 square feet of ground-floor retail and community space for arts-friendly businesses and nonprofit organizations. The renovation will also include a two-story community room, an outdoor patio, and open gallery space on each residential level.   

      

The $13.7 million project is scheduled to go into construction in late 2011 and open the following year, and Waukegan's citizens painstakingly raised more than $180,000 of that total. "What's exciting to see is the formation of a kind of leadership that can be parallel to city government - interested citizens who are trying to make hard projects happen and are finding ways to do that," says Heidi Kurtze, Artspace's Director of Property Development. "More than the true dollars, it's that community-building piece that is a predictor of success for the project and for the people of Waukegan."

________________________________________    
ArtPlace
ArtPlace Photo

Traditional Hula class taught by PA'I executive director  

Vicky Takamine. Photo by Greg Handberg 

Artspace receives major support for 'creative placemaking' projects

 

Artspace Projects has received a pair of major grants to support its new creative placemaking projects in New York and Honolulu, from ArtPlace, a new national funder.   

 

The grants, two of 34 awarded by ArtPlace in its first round of funding, will provide $1 million in capital support for El Barrio's Artspace (PS109), an Artspace project in the East Harlem district of New York City, and $300,000 to support planning for an Artspace project now in predevelopment in Honolulu.

 

ArtPlace is an initiative of 11 leading foundations working in conjunction with the National Endowment for the Arts and seven federal agencies. Its aim is to drive revitalization across the country by putting the arts at the center of economic development.

 

"Over the last 30 years, Artspace has championed the once radical idea that artists living on the edge of poverty and chronically underfunded arts organizations can leverage transformative social change," says Artspace President Kelley Lindquist. "Our work has repeatedly shown how targeted arts investments can advance a multitude of community goals - including affordable housing, job creation, safer streets, transit oriented development, and historic preservation."

 

The foundations that joined forces to create ArtPlace are the Bloomberg Philanthropies, The Ford Foundation, The James Irvine Foundation, The John S. and James L. Knight Foundation, The Kresge Foundation, The McKnight Foundation, The Andrew W. Mellon Foundation, The Rockefeller Foundation, Rasmuson Foundation, The Robina Foundation, and an anonymous donor. In addition to the NEA, federal partners are the departments of Housing and Urban Development, Health and Human Services, Agriculture, Education and Transportation, along with leadership from the White House Office of Management and Budget and the Domestic Policy Council.  

 

Federal partners do not provide funding to ArtPlace but participate in the ArtPlace Presidents' Council and Operating Committee meetings, ensuring alignment between high-priority federal investments and policy development and ArtPlace grants.

 

The PS109 project will transform the former Public School 109 in East Harlem, into a mixed-use facility containing 90 units of affordable housing for artists and their families and 10,000 square feet of community space for arts and cultural organizations. The project, a partnership between Artspace and El Barrio's Operation Fightback, a nonprofit community development organization based in East Harlem, is expected to go into construction in December.

 

The Honolulu project will create a multi-purpose cultural facility that helps sustain and nurture native Hawaiian artists and arts organizations, provides affordable artist housing, and helps connect Honolulu-based artists and arts organizations with peers and constituents across the state of Hawai'i. It will be developed by Artspace in partnership with the PA'I Foundation, whose mission is to preserve and perpetuate Hawaiian cultural tradition for future generations.

 

"ArtPlace is accelerating creative placemaking, where cities and towns are using the arts and other creative assets to shape their social, physical and economic futures," said Rocco Landesman, Chairman, National Endowment for the Arts. "This approach brings new partners to the table to support the arts and recognizes the arts as vital drivers of community revitalization and development."

 

"Economic development historically has been about bagging the buffalo-competing for the big employer to move operations to your city," said Carol Coletta, President of ArtPlace. "But now we know the economic development game is all about how you deploy local assets to develop, attract and keep talent. So why would you not deploy every asset you have-including artists and the arts-to do that? That's what ArtPlace is all about."

 

"ArtPlace represents a new paradigm," says Luis A. Ubiñas, President of The Ford Foundation and Chairman of the ArtPlace Presidents' Council. "It brings to the arts the kind of economic development thinking that has long been pursued for attracting and developing businesses, big and small, across the country. ArtPlace's integrated, interwoven approach has the potential to kick-start local economies and transform communities. The arts can play a central role spurring local economic activity."

 

 Press release >>   

Read a recent article from The New York Times >> 

________________________________________________________________    
         Artspace Projects :: 250 Third Avenue North, Suite 500, Minneapolis, MN 55401

612.333.9012 :: artspace.org